For Kommlink: Sell-In Content Production, SS28

Twenty sell-in videos.
One look, every EU cluster, on time.

You need a project manager who keeps business units, EU teams and agencies in step from briefing to delivery. I bring that, plus five years as a motion designer: I can read a cut, catch problems in shoot samples early, and show where AI and motion design save a shoot day.

~20 videos per seasonTemplates for briefs and scriptsPlan, budget, scheduleRemote shoot consulting

What a strong sell-in video does

Retail buyers decide in minutes. Every video should make them want the concept on their shelf: the story, the hero products, and how it will look in their store.

0:00–0:05Concept moment. The season key visual in motion, the concept name, one line of ambition.
0:05–0:25The story. Who it is for and the feeling it sells: the run, the match, the street.
0:25–1:00Hero products. Packshots and on-body shots with animated feature callouts, always in the same position and style.
1:00–1:15In store. Visual merchandising: how the range is displayed, which pieces sit together.
1:15–1:30Key dates. Launch timing and a clean end card, localised per cluster.

A template structure for illustration. Running times and chapters follow your existing best practices.

How I would run it

Templates

Brief and script kit

  • One-page briefing template per concept
  • Two-column script template: picture and text
  • Shot list and asset checklist
  • Stylist and film crew briefing notes
Steering

Plan, budget, calendar

  • Project plan in PowerPoint, one status slide per video
  • Budget tracker in Excel, constraints flagged early
  • Production schedule with calendar invites for every shoot
  • Weekly sync with business units, EU teams and agencies
Quality

Shoot days and reviews

  • Remote review of samples on shoot days
  • Same-day discrepancy report against brief and script
  • Feedback consolidated into one list per round
  • Final check of every export before it reaches the clusters

Where AI and motion design make it faster

The agencies still produce and edit. These are levers I can put into the briefs, or build myself where it helps.

Consistency across 20 videos

  • A motion template set: feature callouts, spec cards, lower thirds, end cards
  • Same typography and timing in every video, no matter which agency edits
  • Approved once, then only filled with new products

Speed and localisation

  • Products shown from existing photos and 3D files where a full shoot is not needed
  • AI scratch voice for early approvals, so feedback comes before the final mix
  • Language versions for the EU clusters via subtitles or AI voice, same picture
  • Automatic transcripts and subtitle timing, checked by a person

Work samples

Existing pieces that show the craft behind product and feature videos.

Product film

Orbit shot and reveal, built from AI stills that were checked at full size for product accuracy.

Example for a made-up brand

Animated feature callouts

Every element moves on its own layer, the way spec cards and callouts would work in a sell-in template.

Example for a made-up app

Explainer with captions

Hook in the first seconds, word-level captions for sound-off viewing, delivered in 16:9 and 9:16.

Example for a made-up product

One end card, many languages

The same animated end card in English and German (French also available), swapped from one template. German version

Example with a placeholder brand

Process

Set up

Onboarding, review of past documents and best practices, templates, plan and budget structure.

Brief and script

Briefings and scripts per concept, timely input of existing assets, sign-off before any shoot.

Shoot and edit

Schedules and invites, crew briefings, remote sample review, agency edits in waves.

Deliver and document

Localised versions to the EU clusters and click team, full documentation for review and approval.

Timeline, tools, deliverables

January 2027Onboarding, templates, project plan, budget tracker, production calendar
FebruaryBriefings and scripts for the season concepts, crew and stylist briefings
March to MayShoots and agency edits in waves, weekly syncs, sample reviews
May to JuneFinal checks, localised versions, delivery to clusters and click team, handover documentation
ToolsPowerPoint, Excel, shared calendars and your video call tools; DaVinci Resolve and Remotion for reviewing cuts and building motion templates; ElevenLabs for scratch and language voices
DeliverablesBrief and script templates, project plan, budget tracker, schedules, review reports, motion template set if wanted, full documentation of all results
Working modeRemote, weekly calls in CET business hours, native German speaker, fluent English. Earlier work includes campaigns and reels for a hotel and regeneration brand in Vienna with ten partner hotels.

Happy to show it on one of your concepts.

Just reply to my application – I'm happy to send a short test with your material.