You need a project manager who keeps business units, EU teams and agencies in step from briefing to delivery. I bring that, plus five years as a motion designer: I can read a cut, catch problems in shoot samples early, and show where AI and motion design save a shoot day.
Retail buyers decide in minutes. Every video should make them want the concept on their shelf: the story, the hero products, and how it will look in their store.
| 0:00–0:05 | Concept moment. The season key visual in motion, the concept name, one line of ambition. |
| 0:05–0:25 | The story. Who it is for and the feeling it sells: the run, the match, the street. |
| 0:25–1:00 | Hero products. Packshots and on-body shots with animated feature callouts, always in the same position and style. |
| 1:00–1:15 | In store. Visual merchandising: how the range is displayed, which pieces sit together. |
| 1:15–1:30 | Key dates. Launch timing and a clean end card, localised per cluster. |
A template structure for illustration. Running times and chapters follow your existing best practices.
The agencies still produce and edit. These are levers I can put into the briefs, or build myself where it helps.
Existing pieces that show the craft behind product and feature videos.
Orbit shot and reveal, built from AI stills that were checked at full size for product accuracy.
Example for a made-up brandEvery element moves on its own layer, the way spec cards and callouts would work in a sell-in template.
Example for a made-up appHook in the first seconds, word-level captions for sound-off viewing, delivered in 16:9 and 9:16.
Example for a made-up productThe same animated end card in English and German (French also available), swapped from one template. German version
Example with a placeholder brandOnboarding, review of past documents and best practices, templates, plan and budget structure.
Briefings and scripts per concept, timely input of existing assets, sign-off before any shoot.
Schedules and invites, crew briefings, remote sample review, agency edits in waves.
Localised versions to the EU clusters and click team, full documentation for review and approval.
| January 2027 | Onboarding, templates, project plan, budget tracker, production calendar |
| February | Briefings and scripts for the season concepts, crew and stylist briefings |
| March to May | Shoots and agency edits in waves, weekly syncs, sample reviews |
| May to June | Final checks, localised versions, delivery to clusters and click team, handover documentation |
| Tools | PowerPoint, Excel, shared calendars and your video call tools; DaVinci Resolve and Remotion for reviewing cuts and building motion templates; ElevenLabs for scratch and language voices |
| Deliverables | Brief and script templates, project plan, budget tracker, schedules, review reports, motion template set if wanted, full documentation of all results |
| Working mode | Remote, weekly calls in CET business hours, native German speaker, fluent English. Earlier work includes campaigns and reels for a hotel and regeneration brand in Vienna with ten partner hotels. |
Just reply to my application – I'm happy to send a short test with your material.